Rokolectiv Festival 2. From 2. 0th to 2. April, Rokolectiv Festival reaches its 1. On Thursday night, the festival moves downtown in the beautifully resuscitated Palatul Universul,  with three performances in the Apollo 1. Notes on the Afterlife” - an exhibition speculating on the afterlife and the artificial, hosted by Salonul de Proiecte.

Inspired by galvanism and Frankenstein, Amy Whittle brings a personal interpretation of technology and spirituality coming together in a post- life construct. Chatonsky takes on the physicality of the internet trough a sort of meta- server- heaven, while Chinese artist Lu Yang creates a digital nonsexual human simulator in her own shape and imagines its digital funeral.

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Hailing from the anterior cortex of Berlin’s electronic hivemind, experimental duo Amensia Scanner decimate and regurgitate tropes of trance, future grime, noise, and mainstream pop, while further accentuating the anxiety that is the very breath of the internet’s post- truthisms. For further cyber ambience and slamming rhythmic constructions, J. G. Biberkopf’s performance takes a field trip into the representations of nature that emerge from the social media scape. And, coming all the way from Yokohama, Takahide Higuchi aka Foodman cooks up an exciting and very personal footwork, in one of the most deconstructed takes on Chicago’s ghetto generated sound.

On Friday, Rokolectiv teams up in premiere with Red Bull Music Academy to co- present a night celebrating shape shifting, club- reconstructionist sets and the transformative minds behind them. Calling on images of high- tech tribalism, Black Zone Myth Chant, an alias of the French experimentalist High Wolf, conjures Afro- futurist psychedelia with trance- inducing beats.