LATEST HEADLINES ? 8 hours ago; Cara Delevingne to Star in Amazon Series. At this year's Toronto Film Festival, movies will mesh with current events. As the preeminent gathering for upscale fall cinema, the Toronto International Film. Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecture. Requires free registration. Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial.

JSTOR: Viewing Subject: Film. Amount of access. Books in JSTOR. .

Copyright Date. . Century Hollywood: Movies in the Era of Transformation. D Revolution: The History of Modern Stereoscopic Cinema.

Abbas Kiarostami and Film- Philosophy. Abstinence Cinema: Virginity and the Rhetoric of Sexual Purity in Contemporary Film. Acting for America: Movie Stars of the 1. Acting in the Cinema.

Action!: Interviews with Directors from Classical Hollywood to Contemporary Iran. Adapting Philosophy: Jean Baudrillard and ? Free Download Of King Of The Underdogs (2017) here. Francis Jenkins, Pioneer of Film and Television. Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson. Canadian Film and Video: A Bibliography and Guide to the Literature.

Candid Eyes: Essays on Canadian Documentaries. Canyon Cinema: The Life and Times of an Independent Film Distributor. Captivating Westerns: The Middle East in the American West. Career Movies. 2. Carnal Thoughts: Embodiment and Moving Image Culture. Cartographic Cinema.

Causes Won, Lost, and Forgotten: How Hollywood and Popular Art Shape What We Know about the Civil War. Cecil B. De. Mille's Hollywood. Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas. Celluloid Pueblo: Western Ways Films and the Invention of the Postwar Southwest. Celluloid Symphonies: Texts and Contexts in Film Music History. Celluloid Vampires.

Challenge for Change: Activist Documentary at the National Film Board of Canada. Chanteuse in the City: The Realist Singer in French Film. The Chaplin Machine: Slapstick, Fordism and the Communist Avant- Garde. Charles Burnett: Interviews.

Charles Walters: The Director Who Made Hollywood Dance. Children of Marx and Coca- Cola: Chinese Avant- garde Art and Independent Cinema. The Children's Film: Genre, Nation, and Narrative. China on Screen: Cinema and Nation. China's Encounter with Global Hollywood: Cultural Policy and the Film Industry, 1.

The Chinese Diaspora on American Screens: Race, Sex, and Cinema. Chinese Looks: Fashion, Performance, Race. Chinese Martial Arts Cinema: The Wuxia Tradition. Chinese Martial Arts Cinema: The Wuxia Tradition. Chinese Shakespeares: Two Centuries of Cultural Exchange. Chinese Women's Cinema: Transnational Contexts. Christian Petzold.

Chronicle of a Camera: The Arriflex 3. North America, 1.

The CIA in Hollywood. Cine y naci. Adorno.

Cinema and Fascism: Italian Film and Society, 1. Cinema and Semiotic: Peirce and Film Aesthetics, Narration, and Representation. Cinema and Sensation: French Film and the Art of Transgression. Cinema and the Sandinistas. Cinema at the Edges: New Encounters with Julio Medem, Bigas Luna and Jose Luis Guerin. Cinema at the Margins. Cinema by Design: Art Nouveau, Modernism, and Film History.

The Cinema Dreams Its Rivals: Media Fantasy Films from Radio to the Internet. Cinema, Emergence, and the Films of Satyajit Ray.

Cin. Romero: Knight of the Living Dead. The Cinema of George A.

Romero: Knight of the Living Dead. The Cinema of Hal Hartley: Flirting with Formalism. The Cinema of Istv. Selig, the Man Who Invented Hollywood. The Collaboration. The Colonial Documentary Film in South and South- East Asia. The Columbia Companion to American History on Film: How the Movies Have Portrayed the American Past.

Columbia Pictures: Portrait of a Studio. The Comedia in English: Translation and Performance. Comedy and Cultural Critique in American Film. Comedy Is a Man in Trouble: Slapstick in American Movies.

The Comic Book Film Adaptation: Exploring Modern Hollywood’s Leading Genre. Comic Medievalism: Laughing at the Middle Ages. Coming Attractions. Communications Media, Globalization, and Empire. A Companion to Golden Age Theatre. A Companion to Latin American Film.

A Companion to Luis Bu. Griffith: Interviews. Dalton Trumbo: Blacklisted Hollywood Radical. The Dame in the Kimono: Hollywood, Censorship, and the Production Code. Dames in the Driver's Seat. Dance and the Hollywood Latina: Race, Sex, and Stardom.

Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture. Danny Boyle: Interviews. Dante, Cinema, and Television.

Dario Argento. 2. Dashiell Hammett and the Movies. David Cronenberg's A History of Violence. David Lynch. 2. 01. David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire. Death and the Moving Image: Ideology, Iconography and I.

Death of the Moguls: The End of Classical Hollywood. Deaths in Venice: The Cases of Gustav von Aschenbach. Deathwatch: American Film, Technology, and the End of Life.

The Decline of Sentiment: American Film in the 1. DEFA after East Germany.

Deleuze, Altered States and Film. Deleuze and Film.

Deleuze and Horror Film. Deleuze and the Cinemas of Performance: Powers of Affection. The Demons of Modernity: Ingmar Bergman and European Cinema. Denys Arcand's Le Declin de l'empire americain and Les Invasions barbares. Designing Interdisciplinary Education: A Practical Handbook for University Teachers.

Designing Sound: Audiovisual Aesthetics in 1. American Cinema. 2. Destination London: German- Speaking Emigres and British Cinema, 1. Deterritorializing the New German Cinema. The Devil You Dance With: Film Culture in the New South Africa.

The Differentiation of Modernism: Postwar German Media Arts. Digital Imaging in Popular Cinema.

Digital Material: Tracing New Media in Everyday Life and Technology. Digital Music Videos. Digital Visual Effects in Cinema: The Seduction of Reality. Disaster Movies: The Cinema of Catastrophe. Discovering Orson Welles.

Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language. Disney Culture. 2. The Disney Fetish. Dissident Voices: The Politics of Television and Cultural Change. Distribution Revolution: Conversations about the Digital Future of Film and Television.

Divas on Screen: Black Women in American Film. Divine Decadence: Fascism, Female Spectacle, and the Makings of Sally Bowles. Documental (es): Voces. Ulmer: A Filmmaker at the Margins. The Edinburgh Festivals: Culture and Society in Post- war Britain.

Edith Bruck in the Mirror: Fictional Transitions and Cinematic Narratives. Editing and Special/Visual Effects. Edna Ferber's Hollywood.

El camino inverso: del cine al teatro. Orientalism. 2. 01. The Epic Cinema of Kumar Shahani.

Epic Sound: Music in Postwar Hollywood Biblical Films. Film Industry. 2. Flickers of Desire: Movie Stars of the 1.

Flickers of Film: Nostalgia in the Time of Digital Cinema. A Foreign Affair: Billy Wilder's American Films. Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary. Forgotten Dreams: Revisiting Romanticism in the Cinema of Werner Herzog. Framing Africa: Portrayals of a Continent in Contemporary Mainstream Cinema. Framing Female Lawyers.

Framing Pictures: Film and the Visual Arts. Framing the Fifties: Cinema in a Divided Germany. Francis Ford Coppola. Francois Ozon. 2.

Fran. Romero: Interviews. George Cukor: A Double Life. George Cukor: Hollywood Master. George Gallup in Hollywood. Germaine Dulac: A Cinema of Sensations.

German Film after Germany: Toward a Transnational Aesthetic. German Memory Contests: The Quest for Identity in Literature, Film, and Discourse since 1.

The German Patient: Crisis and Recovery in Postwar Culture. German Romance V: Erec. Ghostlife of Third Cinema: Asian American Film and Video. The Girl from God's Country: Nell Shipman and the Silent Cinema. Girls in the Back Room: Looking at the Lesbian Bar. Girls Will Be Boys: Cross- Dressed Women, Lesbians, and American Cinema, 1. Giuseppe De Santis.

Glamour in a Golden Age: Movie Stars of the 1. Global Bollywood. Global Bollywood: Travels of Hindi Song and Dance. Global Cinematic Cities: New Landscapes of Film and Media. Global Currents: Media and Technology Now. Global Neorealism: The Transnational History of a Film Style.

Global Nollywood: The Transnational Dimensions of an African Video Film Industry. Gloria Swanson: Ready for Her Close- Up. Godfather: The Intimate Francis Ford Coppola.

A Great Big Girl Like Me: The Films of Marie Dressler. The Great Black Spider on Its Knock- Kneed Tripod: Reflections of Cinema in Early Twentieth- Century Italy.

Film Noir Collection on TCM Shop. Two- disc set includes: They Made Me A Criminal (1. John Garfield stars as Johnnie, a boxer who goes on the run wrongly believing he killed a man while drunk. Presumed dead, Johnnie hides out at Grandma Rafferty's (May Robson) work farm for wayward boys (played by the Dead End Kids) where he steps back into the ring in order to help the kids raise money. But the crafty Detective Whelan (Claude Rains) is sure Johnnie is alive and is determined to bring him in.

Gloria Dickson and Ann Sheridan co- star. BW/Rtg: NRScarlet Street (1. Edward G. Robinson and Joan Bennett star in director Fritz Lang's compelling drama concerning a meek, unhappily married bank cashier who is befriended by a greedy, manipulative woman and her predatory lover and lured by them into embezzlement. With Dan Duryea, Margaret Lindsay. BW/Rtg: NRShock (1. Riveting thriller stars Vincent Price as sinister psychologist Dr. Richard Cross, who murders his wife.

After discovering that one of his female patients observed the crime, Cross convinces her spouse that she is going crazy and should be institutionalized at the facility where he works. But when the woman is put away, will the bad doc's secret stay locked up inside her head? With Lynn Bari, Anabel Shaw. BW/Rtg: NRThe Stranger (1. Suspenseful cat- and- mouse thriller features director/star Orson Welles as an escaped Nazi war criminal living as a teacher in a small Connecticut college town, with Edward G. Robinson as a federal agent tracking him down.

The final chase scene in an old clock tower is a classic. With Loretta Young, Richard Long, Philip Merivale.

BW/Rtg: NRImpact (1. A wealthy industrialist (Brian Donlevy) becomes the target of a murder plot hatched by his two- timing wife (Helen Walker) and her lover (Tony Barrett).

Presumed dead after the plan goes wrong and Barrett is killed instead, Donlevy adopts a new identity in a small Idaho town, falling in love with a beautiful woman (Ella Raines) before returning home where he finds himself accused of murder. Charles Coburn, Anna May Wong also star in this overlooked thriller. BW/Rtg: NRPort Of New York (1. Gritty, expertly realized noir from director Laslo Benedek (.

Scott Brady and Richard Rober are the customs agents out to topple the syndicate. Stevens and Neville Brand. BW/Rtg: NRWhirlpool (1. Director Otto Preminger's mix of psychological suspense and film noir atmosphere stars Gene Tierney as a compulsive kleptomaniac married to noted psychoanalyst Richard Conte. Caught stealing a brooch from a department store, Tierney is freed thanks to the efforts of hypnotist Jose Ferrer, who says he can cure her of her condition..

Tierney in a bizarre murder scheme. BW/Rtg: NRD. O. A. A desperate search for his own killer follows.

Luther Adler, Neville Brand, Pamela Britton also star in director Rudolph Mate's classic thriller; score by Dimitri Tiomkin. BW/Rtg: NRQuicksand (1. Mickey Rooney stars as a young man who commits a minor criminal act that slowly, inexorably draws him into a quagmire of crime and self- destruction.

Grim human drama co- stars Peter Lorre, Jeanne Cagney. BW/Rtg: NRBeat The Devil (1. Offbeat is the only way to describe this John Huston/Truman Capote collaboration- -the script's unusual qualities perhaps due partly to the fact it was being written even as the film was being shot- -about a ragtag group of con men out to swindle each other while on a Mediterranean cruise. Humphrey Bogart (who helped finance the film) and Gina Lollobrigida play a married couple whose adulterous urges figure into the complex, loosey- goosey plot.

Jennifer Jones, Robert Morley, and Peter Lorre co- star.