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Atomic Blonde Movie Review & Film Summary (2. Without Charlize Theron, the spy adventure . She makes it insightful. The actress gives emotional depth to the highly mannered behavior of the film’s heroine, British spy Lorraine Broughton, as she tries retrieve a coveted list of undercover operatives and catch a British double agent working in West Germany. What Lorraine truly wants, for the most part, is a mystery, since she hides behind a chilly James Bond- style persona, amplified by silver- grey camera filters, pulsating blue lights and Lorraine’s favorite drink, vodka on the rocks. Psp Ipod Movies Arrowhead (2017). Advertisement. Theron's commanding performance is remarkable.

Her take- no- bull body language and calculating stare give her character an intelligence and prove she's the right person for the job. Theron grounds the film whenever it threatens to become a smarter- than- thou, hyper- convoluted slog. She also makes you believe that her character isn't just another James Bond clone. You may watch . The story is set during the first week of November, 1. Berlin Wall. Historically speaking, we know how the story ends.

Adapted from the 2012 graphic novel, The Coldest City, exactly how faithful is Charlize Theron's Atomic Blonde? SPOILERS lie ahead. Two new releases, Sony's original animated feature The Emoji Movie and Focus Features' Charlize Theron shoot-'em-up Atomic Blonde are expected to click in the $20M. Entertainment Television, LLC. A Division of NBCUniversal with news, shows, photos, and videos.

But what’s important here is the spy work and its consequences for Lorraine. To get the job done, she has to enter every situation numb to the human connections she makes in order to (primarily) survive and also to save the lives of her colleagues.

She consequently addresses every situation tactically rather than emotionally. Lorraine has personal ties to the spy whose death and betrayal leads to her arrival in Berlin, even if those ties are thankfully only mentioned once during a flashback.

That dream/flashback suggests a personal dimension to Lorraine's quest that is thankfully never foregrounded. Lorraine's status quo is chilliness, a foundational state of being whose necessity is confirmed with almost every interaction. As a woman, she has to be on guard at all times, because she enters every situation knowing that everyone wants to proposition and/or take advantage of her. At every step, she meets people who openly deceive her or who are theoretically on her side but seem as if they’re out to get her. First she is ambushed by a group of Stasi officers who pose as her contacts. Then she meets British spy David Percival (James Mc.

Avoy), who is disillusioned with his low status on the espionage totem pole and doesn’t seem too invested in helping a British informant known as Spyglass (Eddie Marsan) to flee Berlin. A French spy and potential love interest named Delphine (Sofia Boutella) challenges Lorraine, but even she is initially untrustworthy since she employs the same used car salesman . True, her story is recounted in the form of a series of flashbacks to a trio of antagonistic interrogators: Eric Gray (Toby Jones), Lorraine's commanding officer; Emmet Kurzfeld (John Goodman), a dickish CIA chief; and the mysterious Chief .

But these guys are, as she points out, not her . The fact that the film's creators trust viewers enough enough to downplay hackneyed origin- story psychology will hopefully make viewers more inclined to forgive blocky expository dialogue exchanges, smart- ass Machiavelli quotations, and an overwritten plot. Advertisement. Based on Antony Johnston and Sam Hart's comic book, “Atomic Blonde” has been adapted by director David Leitch (co- director of the “John Wick” films) by screenwriter Kurt Johnstad in a way that gives us lots of information about Lorraine through visuals alone. The heroine announces, in thuddingly obvious dialogue, that she’s cool, and is only making connections to get ahead, but she’s actually a mix of fire and ice: Leitch and his cinematographer Jonathan Sela put the idea across with red and blue light. The ice bath Theron emerges from in her first scene is lit blue, while the lighter that is offered to her at a bar in one of the film's most indelible images lights her face up red.

Blue is the persona that Lorraine presents to the world; red light cuts through the character's facade and reveals her interior. When Lorraine makes contact with Delfine, her blue- lit face is undercut with flashes of fiery red light that accent Theron's cheekbones.

When Delfine and Lorraine retire to Lorraine’s bedroom, the sheets are the same cerulean hue as the light on their bodies. Pop culture references do some of the heavy lifting here, too, connecting not only with Lorraine’s personality but with the historical landscape through which she travels. The film's main action kicks off to the tune of David Bowie's . This, ultimately, is why it matters that Theron plays a role that under most other circumstances, would have been given to a lesser male star. Her intensity during the film's action scenes—a mix of ostentatiously choreographed .

And while the film doesn't ultimately say anything more cutting than . The film's creators do exploit her gender in ways that they wouldn't for a man (a male lead wouldn’t be allowed to have a same- sex relationship in a movie made at this budget level). But you can't help but be awed as Theron's Lorraine knowingly traipses into a minefield of impending double and triple crosses, and comes out looking as poised as royalty.

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