Baby Driver writer/director Edgar Wright discussed the movie's ambiguous ending but wouldn't say how audiences should interpret it. Atlantans, Edgar Wright's Baby Driver Is a Serious Love Letter to Your City. The star of Baby Driver knows how to work a stick shift—and he’s not afraid to use it.

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Edgar Wright on his new movie. Bored with movie car chases which feature more green screen manipulation by visual effects artists than real- life white- knuckling on the part of actors? So is director Edgar Wright (Shaun of the Dead, Hot Fuzz), who decided to get his cast as close as possible to the on- the- road action while making his new heist movie, the Atlanta- shot Baby Driver (out June 2. You learn that when he was 7, he was in a really bad car accident, and both his parents died, but he also got tinnitus in his ear. So because of that, he has to listen to music all the time to drown out the noise in his ears.”Jon Hamm, Jon Bernthal, Eiza Gonz.

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Each of those sequences is meticulously choreographed to the songs Baby listens to while driving, and which he has to select before commencing the getaway. So, overall, it creates a real spell.”Wilson Webb/Sony. Wright had the kernel of the idea for Baby Driver more than two decades ago while editing his debut movie, 1.

A Fistful of Fingers. At the time he was obsessively listening to the Jon Spencer Blue Explosion’s just- released album Orange, and in particular the track “Bellbottoms,” which accompanies the opening sequence in Baby Driver.

There’s a lot of scenes with Jamie and Jon and . In Shaun of the Dead, the director and cowriter- star Simon Pegg included a sequence where a zombie is beaten with pool cues in time with Queen’s “Don’t Stop Me Now.” He also directed a music video in which comedian Noel Fielding played a getaway driving grooving out to “Blue Song” by British techno duo Mint Royale. Abrams was doing a sort of career talk with me, and he specifically wanted to show the Mint Royale video,” says Wright. But I knew that it was a cool idea, this idea of a cops- and- robbers movie, set to music, and choreographed. I thought it was a very cool thing if they could get it to work and, knowing Edgar’s incredibly visual vocabulary, and unbelievably meticulous preparation, and imagination, I was like, Well, he’s the perfect guy to do it.”At the time, Wright was still planning to make the Marvel superhero movie Ant- Man, the screenplay for which he was writing with Attack the Block director, Joe Cornish. But, in May 2. 01.

Marvel over script changes and ultimately zeroed in on Baby Driver as his next project. It really all comes down to planning.” Much of the planning was undertaken by the film’s second unit director Darrin Prescott (John Wick) who was tasked with making sure the beats of the film’s car chases were in lockstep with those of its soundtrack. It’s unlike anything I’ve ever done. It should be a class in film school—you go out and choreograph something to a song!”To create the illusion that Elgort was driving at high speed in the film, Wright often utilized the “biscuit,” a low- to- the- ground trailer which transported the getaway cars and the actor and whose real driver was positioned offscreen.

There wasn’t a lot of room for error, man.”Wright also employed the services of an actual choreographer, Ryan Heffington, a two- time Grammy nominee for his work on the Arcade Fire’s “We Exist” and Sia’s “Chandelier.” “He was involved with anything to do with the human body,” says Wright. Colonia (2016) Ipod Download. His big sequence would be the opening credit sequence, where Baby goes to get the coffees and comes back, and it’s all in one Steadicam shot.

But then, you have the other sequences where there’s the choreography, and the gun fights, and the running sequences. Always the most beautiful thing to me is where you can take people of disparate crafts and bring them together as a team. It makes me feel warm and fuzzy inside when, you know, somebody like Ryan Heffington, who is a fantastic dance choreographer, and Darrin Prescott, who’s kind of like an action wizard, can be working hand- in- hand, and learn a lot off from each other. It’s just an amazing thing. When those guys are suddenly thick- as- thieves because of the shoot, it’s like, Well, my work here is done.”Wilson Webb/Sony. The hard work paid off when Baby Driver premiered to a rapturous reception at this year’s SXSW and Sony showed its confidence in the film by bumping up its release from August to June.

So, has Wright’s more than 2. Action and music — it’s all my passions in one movie!”Watch a trailer for Baby Driver above.