Rotten Tomatoes: Fresh Movies Should Be Rotten. Whether it’s a guilty pleasure which you feel has been judged unfairly or a critically lauded masterpiece you think is overrated, chances are that you’ve disagreed with Rotten Tomatoes at some point.

Although the box office may not always reflect what critics are saying, there’s no denying that the review aggregator has had an effect on the way audiences perceive movies. Since the site launched in 1.

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Tomatometer has scavenged the web for writers’ thoughts on the latest releases and while the website is far from perfect, it’s arguably played a detrimental part in what viewers decide to see. Looking back at some of the less than stellar films of the past few years, it goes without saying that some features managed to escape with an undeserving score. Starting from 1. 99. RT to find those movies which have not only built a reputation for angering fans, but which also should have received a score below 6.

In some cases, critics were simply caught up in the hype of the time. In others, the score is simply inexcusable. Either way, we’re here to correct the wrongs of the past. So without further ado (and to the disagreement of some of our readers, we’re sure), we present the 1. Fresh Movies Of Rotten Tomatoes That Should Be Rotten. Spider- Man 3 – 6.

Rounding out the trilogy, Spider- Man 3is the black sheep of the Tobey Maguire/Peter Parker years. Director Sam Raimi would later fault himself for the movie’s shortcomings, saying he never fully believed in the characters chosen (read: Venom). Of course, Raimi’s direction wasn’t the only flaw to the third Spidey film. The need to top the bar set by Spider- Man. Although Thomas Haden Church could have made a more convincing Sandman had he been given more material to work with, Topher Grace was terribly miscast as Eddie Brock, and James Franco’s performance was over- the- top, bordering on parody. Although Spider- Man 3 offered some of Spidey’s worst on- screen moments, including a joke centered around an emo version of Peter Parker dancing through the streets of New York City, it’s arguably not the worst Spider- Man movie to date (The Amazing Spider- Man 2holds a lower RT score of 5.

Still, with its tonal inconsistency and its lack of a strong central narrative, it’s hard to argue that the critics weren’t being generous when they awarded the film a 6. The New Hell On Earth (2017) Movie. Quantum of Solace/Spectre – 6. Over the course of his fifty year film career, James Bond has treated audiences to some questionable adventures, but few were as bad as these two Daniel Craig- starring features. Following the well- executed Casino Royale, Quantum of Solaceditched the classic spy movie tropes – the awesome megalomaniacal villain, the impossible world- saving plot, and the copious amount of love- making – for a yawn- inducing eco- terrorism story that served as nothing more than a journey of self- discovery for Bond as he coped with his past.

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Removed of his signature quips, Bond takes an all too serious turn for the worse, producing a film devoid of style and wit. If Quantum of Solace fails by doing too little, Spectre can be blamed for doing too much. In a poorly conceived plot twist, the movie manages to mess up one of Bond’s biggest rivals, Blofeld, by re- writing him as Bond’s foster brother.

Overlooking the global surveillance “Nine Eyes” program, the mastermind reveals that he was responsible for every tragedy that happened to Bond in the previous three films. Not only is the plot ludicrous, but it renders everything before it pointless, making the other three films mere footnotes in a larger, convoluted storyline. Stuart Little/Stuart Little 2 – 6. With the exception of Pixar, which has found the balance between childlike innocence and maturity in over 9. Critics know that and often adjust their reviews accordingly. The problem is that we can’t remember the last time anyone decided to heap praise onto Stuart Little, as a wonderful children’s movie or otherwise.

As talking animal pictures go, Stuart Little is pretty straightforward. A mother and a father adopt a cute, charismatic mouse. The couple’s son expresses his disinterest in a younger brother, but in time he adapts and they live happily ever after.

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That is, after Stuart manages to escape the clutches of the family cat Snowbell. In the sequel, Stuart teams up with Snowbell in a road trip where they set out to find a lost canary named Margalo. In hindsight, it’s easy to see how critics could have been caught up in the cutesy animation and talking antics of Stuart, but the white mouse does little to add to the talking animal genre, making for a rather boring viewing experience if you’re an adult and a sub- par effort if you’re looking to entertain the youngsters.

Star Wars: Episode II – Attack of the Clones – 6. After The Phantom Menacekicked off the Star Wars prequels with an underwhelming 5.

Attack of the Clones, rewarding it a slightly improved rating of 6. Our only problem is that the sequel may be somehow worse than Episode I.

Replacing heavy exposition with possibly the worst on- screen chemistry of all time, audiences were forced to endure as Hayden Christensen’s Anakin acted out his anguish in a helpless cartoonish style and Natalie Portman’s Padme went through the motions, delivering one cringe- worthy line after the next. Although the prequels would be somewhat redeemed with Revenge of the Sith, a film which held up well among critics with a 7. For a film which largely spends its time building up the emotional core of the prequels, its own disinterest in the story’s romantic pairing proves to be crippling, making Attack of the Clones a wasteful two and a half hour experience. The Matrix Reloaded – 7. Setting a precedent for the action movies of the new millennium, The Matrixdebuted in 1. The Wachowskis would revisit their mythos four years later in hopes of topping their blockbuster, expanding on the universe they created. How To Watch Logan (2017) Movie on this page. Unfortunately, the pressure of creating a broader world would lead to a by- the- book sequel that was largely repetitive compared to its predecessor.

The first giant misstep for the Wachowskis would come with the incorporation of Zion, the last human city remaining after the nuclear fallout of the real world. The entrance into the city would lead to a whole cast of new characters, driving much of the narrative away from Neo and the other survivors of the first film. On top of that, the action sequences tried to one- up the original, leading to the now famous Burly Brawl between Neo and Agent Smith’s many assimilated clones. Ultimately, however, the Hong Kong- style martial arts and cyberpunk action loses its edge as the Wachowskis fail to bring anything new to the table, making the Matrix sequel a one trick pony without an emotional core to drive the plot forward. Superman Returns – 7. Ten years removed from Bryan Singer’s Superman Returns, the movie has largely been tossed to the wayside thanks to the DCEU. Written as a more mature, romantic take on the Man of Steel, fans were irked to find Kal- El coming back to Earth to a much younger Lois Lane and a son named Jason, who the hero never knew existed.

Making matters worse, Singer claimed the movie was a continuation of Christopher Reeve’s franchise, taking place sometime after the second movie. Little indication of that connection was given, however, making for a backstory that left many questions unanswered. Arguably, there was some good that came from Singer’s efforts. Although the 2. 2 year old Brandon Routh was considerably younger looking than Reeve, he did evoke the same kind of iconic stature as his predecessor. Likewise, Kevin Spacey played a convincing Lex Luthor, even if his half- baked plan to build a continent based on the geology of Krypton proved to be underwhelming. In the end, Singer’s admiration for Richard Donner’s Superman weighed too heavily on the final result. What should have been a rebooted version of the DC icon became an odd tribute that inevitably failed to resurrect its protagonist.