Two of French cinema's biggest stars shine in this bittersweet drama about the unlikely friendship that develops between Claire (Catherine Frot), a talented but. In April, chicken nugget-loving teen Carter Wilkerson tweeted at Wendy’s asking, “how many retweets for a free year of chicken nuggets?” The fast food chain. Vancouver Audio Festival 2017: Bryston goes active – or what's in a crossover anyway? 23-year-old man found inside car dies from gunshot wound. Posted May 14. Live Streaming Click here to Register for LIVE STREAMING! Sessions are FREE for WOCN Members, thanks to support by Hollister Incorporated. While the sessions are free.

Trent Reznor, In Conversation“I get anxious about long interviews,” says Trent Reznor, smiling shyly from a leather couch at an empty hotel bar in Bakersfield, California, “but it’s nice to have a break from rehearsing the set and feeling suicidal about how much more work we have to do.” Sipping from an early- morning black coffee, Reznor is dressed in heavy boots, green cargo shorts, and a black T- shirt. He’s here with Nine Inch Nails, the musical project he’s led since 1. New York’s Panorama, in support of the band’s new Add Violence EP, the second in a planned trio of releases all connected by the same cryptic story line. Those efforts represent the first new Nine Inch Nails recordings since 2. Hesitation Marks, but with Reznor, silence is never a sign of inactivity. Of late, this paragon of musical and emotional extremism has become a respected voice on the promise and failure of streaming music, and works closely with Apple Music on the tech giant’s efforts in that realm.(He’s also become an Oscar- winning film composer, in partnership with his NIN bandmate Atticus Ross.) It does seem, though, that returning to the music that made him famous has put Reznor in an expansive — and pugnacious — mood. Or maybe he’s just a little antsy in anticipation of the impending live shows.

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Have you noticed a change in how those feelings get expressed culturally? There’s a toxicity and meanness in the air now that I don’t think was there when you one were, for lack of a better term, a poster boy for alienation.

I never thought about Nine Inch Nails in that context. From my perspective, I was doing what Morrissey and Robert Smith had done, which was expressing a sense of “I don’t fucking fit in anywhere.” It was never about any larger cultural sense of oppression or disenfranchisement. I was thinking if we can take music that embraces and toughens up the sound of electronics, brings the aggression of Throbbing Gristle and hard rock, and also instills an honest lyric — we might have something. I don’t think what we were tapping into was at all similar to the absurdity of whatever Gamergate represents, if that’s what you’re suggesting. It’s part of it. I’m sure this is both simplistic and na. I sort of think I was kind of a trailblazer when it comes to getting trolled, so I’m very familiar with the rage that seems to fuel the Trump voter or the angry internet commenter. When we first started off, our interaction with our audience would be someone recognizing you at a record store and saying, “I’m not a fan, but my so- and- so is.” Okay, fuck you.

Or people would find out where you live and send you a letter and you’d read something that clearly came from an insane person. Then the internet connected everybody.

I remember the Prodigy bulletin board and being fascinated to see there was a Nine Inch Nails room. The promise of that kind of interaction with fans was exciting. The consequences of how that interaction has evolved have not been. What are were those consequences? One is the demystification of artists.

Growing up, I didn’t know what Pink Floyd looked like and I didn’t need to know. In my mind, they looked like fucking wizards, man. I remember seeing a picture of Supertramp — and I loved Breakfast in America — and I was like, What the fuck? You know, intentionally or not, Supertramp was all about shattering illusions. Forget just photos: I didn’t know anything about them. Something in me needed the people making the music I loved to seem larger in life. I needed heroes. David Bowie was a fucking alien, you know?

As it happens, he was a fucking alien. I was lucky enough to be friends with him and he was even cooler than I’d thought. But demystification is a real problem. There’ve been people whose music I can’t like anymore because I’ve seen them bitching on Twitter about a waiter like a fucking asshole. Can you tell me who? I don’t really want to start a battle.

I’ll give you a good counterexample: I appreciate what Radiohead has been doing the last few years. You’re not saturated with stories about them. They’re not in the press constantly talking about stuff. They create an aura that makes you more interested in what they’re doing. That’s a good position to be in versus what I’m doing right now, which I’m sure is ruining people’s impression of me.

What are other consequences of fans knowing more about the musicians they love? And also of being able to communicate with them? Another problem is that it’s too easy to listen to the opinion of the anonymous basement- dweller, and that’s bad for art.

Criticism hurts. Hearing someone say that you’re a piece of shit or that the song you’re insecure about sucks is harmful. And I have a hard time unhearing that stuff, so I really had to learn not pay attention. When I did Pretty Hate Machine, I didn’t think anybody was going to hear it. Then suddenly it was, “Hey, X amount of people bought your record and it’s time to write a new one.” And you’re thinking, I wonder what they liked about that other record I made? What if I want to take a detour into free jazz? How is that going to go over? When you’re not thinking about the audience, you can make more pure art.

Are there any artists that you think are using social media smartly? I know they exist in a different online world than you, but people like Drake and Taylor Swift sure seem canny about how and when they engage with fans. Those examples would probably be the best answer to this question. I don’t pay much attention, but I see what Drake’s been able to pull off in terms of being omnipresent and constantly engaging an audience that seems to enjoy the way he’s engaging them. I’m just not part of that audience. I’m not as well- rounded as I used to be about pop culture. I’m not saying pop music isn’t well- crafted or the people who make it aren’t wonderful, but it’s not for me.

I’ve asked people, “What is it that’s good about Drake?” I’ve said to my friends at Apple: “Explain to me why.” As the old guy, I don’t see it. Did anybody give you any satisfactory answers? I wasn’t even asking cynically.

I was curious what it is that he’s touching on. The answers I got made me go, “That’s it?” But knowing the right way to interact with your crowd in a way that feels cool is a good thing. I’m just doing it for a different sized audience. The stakes aren’t the same for me, and that’s fine.

Because of your work with Beats and Apple Music, and also because of how quickly Nine Inch Nails adapted to various online realities, you’re often held up as someone who credibly bridges music and tech. Do you feel culturally at home in both worlds? Is there anything to the idea that tech entrepreneurs are the new rock stars? What a load of bullshit that is. It’s important to unpack a couple things: What’s your quantification of success? Is it money or something else? This is nothing against somebody who has a great idea and wants to get funded — more power to you.

That’s a cool new economy, and coding is an incredibly creative and artful medium. But if success is purely measured in how high on some Forbes list you are, then by all means, go make a new app. I’m biased: Music or film or writing or journalism — things that inspire emotional connections are so much more important to me than things that only have utilitarian ends.

I’m glad someone figured out a food- delivery service. That’s made my life a little bit better. But that’s not that interesting to me.

A good song can become part of my soul. So this whole nonsense about tech rock stars is farce. What else were we saying about tech world? How you fit into it.

My experience with Beats Music and then at Apple largely was dismissed from outside, maybe justifiably, as here’s another celebrity moron holding up a phone and expecting some sort of credit. That kind of situation, which mine isn’t, would be insulting to the people that actually are doing the important jobs. And I don’t want to hear about “Ashton Kutcher’s a fucking tech genius.” I don’t give a shit about that. He seems like an asshole.

While the sessions are free, you still need to register for the virtual event. Join WOCN now and reap the benefits! Nonmembers can purchase the full package (1. Phone support is available Monday to Friday from 9am to 5pm EST. Contact hours can only be obtained by viewing sessions live in real- time and completing the post session evaluation(s).

All sessions are listed in local Mountain Time. Here are the sessions that will be available via live streaming! FRIDAY, MAY 1. 9, 2. PM - 8: 0. 0 PM(S0. Incontinence- associated Dermatitis (IAD): Beyond the Basics(S0. Risk Factor Versus Effective Intervention: Myths and Realities of Body Worn Absorptive Products. SATURDAY, MAY 2. 0, 2.

AM - 9: 3. 0 AMPresident's Welcome Address and Awards. AM - 1. 0: 1. 5 AM(GS1) Opening Keynote: Roots of Success. AM - 1. 1: 3. 5 AM(GS2) General Session - What's Missing in Pressure Injury Research: Current Gaps Between Our Understanding and Clinical Practice. AM - 1: 2. 5 PM(S0.

Expanding our Reach for Improved Ostomy Patient Outcomes: The Peristomal Skin Assessment Guide(S0. Branching Out: Using an Evidence- Based Support Surface Algorithm in Everyday Practice. PM - 2: 3. 5 PM(GS3) General Session - Rooted in Results: Research Abstracts. PM - 3: 4. 5 PM(C2. Enhancing the Skin Barrier of the Perineal Skin.

PM - 4: 5. 5 PM(C2. Managing MASD (IAD & ITD): The Rainforest Phenomenon. SUNDAY, MAY 2. 1, 2. AM - 8: 3. 0 AM(S0. Advocate for Healthy Skin: Positive Outcomes. AM - 9: 4. 0 AM(O3. Reducing Hospital Readmissions in the Colorectal Surgery (Ostomy) Population.

AM - 1. 0: 5. 0 AM(GS4) General Session - ASCO Clinical Practice Guideline: Chronic Pain in Survivors of Adult Cancers. PM - 4: 1. 0 PM(PP3. Public Policy and Advocacy: Finding Power in our Roots. PM - 5: 2. 0 PM(C3. Special Considerations when Managing Lower Urinary Tract Disorders in the Male Patient. MONDAY, MAY 2. 2, 2.

AM - 1. 0: 5. 0 AM(O4. Audience Participation: Management of Ostomy Patient Challenges. PM - 5: 5. 0 PM(W4. Pyoderma Gangrenosum: A Difficult Entity to Diagnose and Manage. TUESDAY, MAY 2. 3, 2. Divx Ipod Unleashed (2017). AM - 9: 0. 0 AM(W5. Friction Injuries: Suspected Etiology and Treatment.

AM - 1. 0: 1. 0 AM(GS5) General Session - Redefining the Continence Role of the WOC Nurse. AM - 1. 1: 2. 0 AM(W5. Multidisciplinary Fistula Management. AM - 1. 2: 0. 0 PMClosing Remarks. Live Streaming is brought to you in part by Hollister Incorporated.

W4. 00) The Wound Care Two Step: Integrating Palliative Care Principles into Everyday Practice. Kevin Emmons, Dr. NP, RN, CWCNThis session will discuss the principles of palliative wound care across the care continuum. A focus of this session will be placed on symptom management including pharmacologic and nonpharmacologic options.

A focus of this session will be placed on symptom management including pharmacologic and nonpharmacologic options.