Cult Horror Movies Smurfs The Lost Village (2017)

Cult Horror Movies Smurfs The Lost Village (2017) Average ratng: 7,2/10 8271reviews

Winter/Spring Movie Preview - The 2. Films to See. 20. The first month of that year will not only see a number of buzzed- about critical darlings and/or movie awards season contenders expand into a wide theatrical release, but also the latest installments in certain long- running genre properties – as well as a Vin Diesel franchise revival, no less – hit the scene too. Much like February and March of 2. Disney live- action retelling – all of which have the potential to be both proper crowd- pleasers as well as box office hits. As has become our tradition here at Screen Rant, we have narrowed the hefty list of impending 2.

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Per usual, these movies are listed in the order of their release date, so we leave it to you (the readers) to decide which ones are your most anticipated releases for the first third of 2. So, without further ado, here is Screen Rant’s 2. Winter/Spring Movie Preview – The 2. Films to See. A Monster Calls (Wide on January 6th)VIEW TRAILERJ. A. Bayona’s critically- acclaimed foreign- language supernatural horror movie The Orphanage and his natural disaster drama The Impossible (as well as his work on Showtime TV series Penny Dreadful, to a lesser degree) have paved the way to him securing his biggest job yet: helming the Jurassic World sequel. However, before Bayona goes about trying to scare moviegoers with dinosaur- based thrills, he will be doing his best to reduce audiences to tears with his big screen adaptation of the celebrated novel of the same name, A Monster Calls.

A Monster Calls is now playing in New York and Los Angeles as part of its run to qualify for the 2. Academy Awards ceremony – and based on the critical word of mouth so far (including that from some of Screen Rant’s own editors), the fantasy parable is just as powerful an exploration of grief as its source material is widely recognized to be. The story by Patrick Ness, who also wrote the film adaptation, revolves around a young boy (Lewis Mac. Dougall) who is struggling to deal with his mother’s terminal illness when he finds an unexpected source of support: the tree outside his room, which is really a monster in disguise (portrayed by Liam Neeson). With storytelling elements (as well as visuals) that make it akin to the European arthouse filmmaker version of Inside Out and a great cast that also includes Sigourney Weaver and Rogue One: A Star Wars Story headliner Felicity Jones, A Monster Calls sounds like a great way for film buffs to kickoff their movie- watching in 2.

Bayona’s adaptation when it enters wide release. Hidden Figures (Wide on January 6th)VIEW TRAILERTrue story- based dramas are par for the course during the movie awards season, meaning what sets Hidden Figures apart from the rest of the pack is the subject matter as much as the fact that it’s based on real events.

Hidden Figures tells the largely- unknown story about the African- American female mathematicians who played a pivotal role in NASA’s efforts to launch a human into a space orbit before the Soviet Union could, around the peak of the Cold War. Good Fortune (2017) Izle. Based on that plot summary alone, it’s easy to see why the film is generally considered to be refreshingly more revolutionary than your average Hollywood feel- good, inspirational, based- on- real- events offering. Hidden Figures is further buoyed by a main cast that includes Oscar- winner Octavia Spencer and Oscar- nominee (not to mention, Empire star) Taraji P. Henson, as well as Moonlight costars Janelle Mon. Meanwhile, working behind the camera is director Theodore Melfi, a filmmaker who made a splash with his well- received feature- length directing debut (the Billy Murray- led dramedy St. Vincent) and whose reputation only looks to improve, based on the initial positive reception for Hidden Figures in its limited Oscar- qualifying theatrical release.

Between A Monster Calls, Hidden Figures and some of the other awards season contenders gong into wider release in January (including the next entry on this list), there are plenty of good options for moviegoers to choose from as the new year begins. Silence (Semi- Limited on January 6th)VIEW TRAILERSilence is a true passion project for Martin Scorsese, in the sense that the filmmaking legend spent multiple decades attempting to get his movie adaptation of Sh. That same passion shines through in the actual film too, judging by the critical praise that’s been heaped on Silence thus far. For those unfamiliar, Silence follows two Portuguese Jesuit priests (Andrew Garfield and Adam Driver) on a journey to Japan to find their mentor (Liam Neeson) in the seventeenth century, at a time when Christianity has been banned in the country. As with Scorsese’s prior movie, The Wolf of Wall Street, Silence has drawn some controversy for it subject matter and story (focusing on the plight of white Christians spreading their beliefs in a country they are not native to), but the general reaction has been positive – to both the film’s craftsmanship and its deep exploration of spirituality.

Scorsese’s past explorations of religion and faith (with such films as The Last Temptation of Christ and Kundun) have not performed well at the box office and it’s expected that because of its subject matter, Silence also won’t replicate the mainstream success of the director’s bigger box office hits in recent years (see The Departed, Shutter Island, The Wolf of Wall Street). Still, it’s hard to imagine that the film won’t get its fair share of love from film buffs in theaters, as well as attention from the Academy of Motion Picture Arts and Sciences, when all is said and done. Live By Night (Wide on January 1. VIEW TRAILERLive by Night is the second Dennis Lehane novel adaptation for Ben Affleck as a writer/director, after the Oscar- winning actor/filmmaker made his directorial debut by adapting Lehane’s Gone Baby Gone book for the big screen in 2. Affleck’s new Lehane adaptation is itself a Boardwalk Empire- style Prohibition era tale that revolves around one Joe Coughlin (Affleck), the son of a Boston police captain who tries to pull himself up by his bootstraps in the criminal underworld of the time period.

Warner Bros. Pictures had positioned Live by Night as a potential awards season contender with a limited theatrical bow in December 2. Affleck’s directorial followup to his Best Picture Oscar- winning Argo. At the same time though, there are elements of the film that are getting their fair share of positive recognition – including, the cinematography from Quentin Tarantino’s go- to collaborator, Robert Richardson. A beautifully- shot, if by the numbers and somewhat unremarkable gangster flick may not be an Oscar contender, but there’s enough there to recommend Live by Night as (possibly) a decent filmgoing experience, especially for a movie opening in wide release in mid- January. If nothing else, Live by Night will go down as having allowed Affleck to further hone his storytelling abilities in the crime drama genre – a skill set that ought to serve him well in his next directorial project, the DC Extended Universe solo superhero movie The Batman. Split (January 1. VIEW TRAILEREarly reviews for Splithave painted the film as being a comeback for writer/director M.

Night Shyamalan, though that in part depends on whether you were a fan of the filmmaker’s last offering – the 2. The Visit. Split, like The Visit, is a lower- budgeted horror/thriller and stars James Mc. Avoy as Kevin: a troubled fellow who supposedly has 2. This being a Shyamalan creation, it’s safe to assume that there’s more going on in Split than what that (somewhat vague) plot summary indicates and early word of mouth is that indeed, Split boasts one of the filmmaker’s trademark twist endings. Both Mc. Avoy’s performance and the movie’s twists/turns are being praised more than criticized thus far, so Split may yet join The Visit as being part of the Shymalan comeback tour that follows a pair of infamous big- budget duds from the director (in The Last Airbender and After Earth).